OCEAN EARS
01 / Archive
Arriving 2027 / 2028

An intelligent, geo-tagged library of marine sound — organised by species, place, time and call type, carefully attributed, and built for science, conservation and listening.

The archive depends on the recordings and expertise of the whale and ocean bioacoustics communities. Contributors keep their credit, set the terms of use, and remain part of how their sound is shared.

With the support of
British Library Sound Archive OBSEA Seafloor Observatory NPCA Deep Listening Project CTBTO / IMS hydrophone network Individual researchers
Get in touch to participate
email on request
How data will be used +

Contributions are governed by a memorandum of understanding, tailored to each contributor's conditions. The commitments below are the project's standing principles; specific scope, attribution format and any embargo are agreed with each contributor before any data changes hands.

Attribution is permanent and machine-safe. The person or body who made a recording is credited at every stage. Credit is bound to the audio through file-naming conventions and embedded metadata, and is preserved through machine processing — automated sorting, classification and machine-learning steps operate on stems that retain their provenance, so a recording can always be traced back to its source.

Originals are never altered. Each contributed master is checksummed on receipt and kept unmodified. All segmentation, enhancement and analysis is performed on derivative copies; the original remains intact and retrievable.

Every edit is declared. Each sound carries a complete metadata record — including latitude and longitude, recording equipment, the recordist and their purpose, and species. Any post-production or audio-repair applied by the project is logged in that record, so an edited file is never mistaken for a raw one and the scientific chain of custody stays transparent.

Not-for-profit, defined use. Recordings are used for research, conservation and listening — never sold or licensed for commercial profit. Contributors set the terms of access, may set embargoes until their own work is published, and retain the right to correct attribution.

Detailed terms and MoU templates will be published here.